:13:00
. . .was the innocence and naiveté
of the children. . .
:13:04
. . .being lead happily almost,
to their death.
:13:08
Dr. Korczak. Why are you here?
You're exempt from this order.
:13:12
-What about the children?
-The children must board.
:13:17
Then I will do as well.
:13:19
Action!
:13:20
There's nothing to indicate that
it isn't 1 939 in here. . .
:13:24
. . .including the way I'm dressed.
:13:27
When you do a period film,
costumes give you your period.
:13:31
Along with production design
and set dressing.
:13:34
They're very important.
:13:38
But we want them to look real,
not like costumes.
:13:40
It's sometimes harder to accomplish
than anything.
:13:44
Every cobblestone you see,
which we built. . .
:13:47
. . .300 meters long, four stories high,
was laid by hand.
:13:51
There aren't a lot of cobblestones
in most places.
:13:55
It's important for me.
We worked under a tight budget.
:13:59
We had 73 or 74 days
to shoot the film.
:14:02
I came around a corner and saw
hundreds of people in wardrobe and. . .
:14:09
. . .horses and dogs.
I was just completely overwhelmed.
:14:13
The whole set came to life.
It's incredible.
:14:16
To figure out the signage
and what the buildings look like. . . .
:14:20
They had to be practical enough
to put fighters in the windows.
:14:25
I also wanted to design tie-ins. . .
:14:27
. . .where you could be in Mordechai's
lookout and see the Germans marching.
:14:32
The way that they built this set
is amazing. It's absolutely amazing.
:14:45
Some stunt guys getting lit on fire.
:14:48
The camera's on him, goes to Radha,
to the kids, back to Radha, to Hank.
:14:53
They're all firing at once.
And that's one piece.
:14:56
There are four other things going on
at the same time. It's insane.