:14:02
I came around a corner and saw
hundreds of people in wardrobe and. . .
:14:09
. . .horses and dogs.
I was just completely overwhelmed.
:14:13
The whole set came to life.
It's incredible.
:14:16
To figure out the signage
and what the buildings look like. . . .
:14:20
They had to be practical enough
to put fighters in the windows.
:14:25
I also wanted to design tie-ins. . .
:14:27
. . .where you could be in Mordechai's
lookout and see the Germans marching.
:14:32
The way that they built this set
is amazing. It's absolutely amazing.
:14:45
Some stunt guys getting lit on fire.
:14:48
The camera's on him, goes to Radha,
to the kids, back to Radha, to Hank.
:14:53
They're all firing at once.
And that's one piece.
:14:56
There are four other things going on
at the same time. It's insane.
:15:01
You want to be tight. Lose that one.
Get that camera over there.
:15:06
Also tight, like on a hundred,
on a flamethrower over here.
:15:18
I was having some vodka
with Kazik and Marek.
:15:22
Kazik said, ''Do you think
the Holocaust could happen again?''
:15:27
I said in my typical, hopeful way,
''I hope not. ''
:15:31
He said he thought it could.
:15:36
Having seen a film
or documentary about it. . .
:15:39
. . .nothing can compare
to being present at it.
:15:44
It's just overwhelming to know
that this actually happened.
:15:50
Mordechai was a teacher
interested in philosophy and history.
:15:56
He asked, ''How can a moral man maintain
his moral code in an immoral world?''