Adaptation.
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:02:00
All my problems and anxiety can be
reduced to a chemical imbalance...

:02:03
...or some kind of
misfiring synapses.

:02:05
I need to get help for that.
:02:07
But I'll still be ugly, though.
:02:09
Nothing's gonna change that.
:02:11
Shut up!
:02:11
Shut up!
:02:15
Let's really try today
to solve our camera problems.

:02:19
Keep between-take time
at an absolute minimum.

:02:22
These masks are really hot. Okay?
:02:24
I wanna be very well-heard
on that from everybody.

:02:27
Don't futz unless it's absolutely
important to the shot, okay?

:02:32
I don't say that for me.
I say that for the people sitting here...

:02:35
- Thank you, John.
...in the rubber.

:02:36
- I like my dress. Okay?
- Very good.

:02:40
So now, folks, you better
heed that advice.

:02:44
Stand by for picture.
:02:47
Have her rotate around the table
a little bit further.

:02:53
Hold on until we're clear.
:02:54
You. You're in the eye line.
Can you please get off the stage?

:02:57
Yeah, just bring in the six-footer.
:03:04
What am I doing here?
Why did I bother to come here today?

:03:07
Nobody even seems to know
my name.

:03:09
I've been on this planet for 40 years,
and I don't understand a single thing.

:03:14
Why am I here?
How did I get here?


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