Adaptation.
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1:12:01
- For God's sake, it's just a metaphor.
- Well, but for what?

1:12:05
What turned that paper ball into
a flower? It's not in the book, Charles.

1:12:09
- I don't know. You're reaching.
- Maybe.

1:12:11
But I think you actually need to speak
to this woman. To know her.

1:12:17
I can't.
1:12:20
- Really.
- I'll go.

1:12:22
I'll pretend I'm you.
1:12:24
I want to do it, Charles.
1:12:26
We'll get to the bottom of this.
We're gonna fix your movie, bro.

1:12:32
But you've gotta be exactly me.
1:12:35
I have a reputation to maintain.
1:12:38
You can't be a goofball.
You can't be an asshole.

1:12:40
- I'm not an asshole.
- You know what I mean.

1:12:42
No flirting. No bad jokes.
1:12:45
Don't laugh how you laugh.
1:12:48
I'm not gonna laugh.
I get to have people think I'm you.

1:12:52
It's an honor.
1:12:57
So I guess I'll bring out
the big guns now.

1:13:00
Do you keep in touch with Laroche?
1:13:03
I felt I detected an attraction to him
in the subtext. Care to comment?

1:13:12
Well, our relationship
was strictly reporter-subject.

1:13:15
I mean, certainly an intimacy does
evolve in this kind of relationship.

1:13:21
By definition, I was so interested
in everything he had to say.

1:13:27
But the relationship ends
when the book ends.

1:13:34
- Mendacious deceit.
- What?

1:13:36
Nothing.
1:13:38
I just have one more question.
1:13:43
If you could have dinner with one
historical personage, living or dead...

1:13:47
...who would it be?
1:13:49
Well, I would have to say...
1:13:52
...Einstein.
1:13:56
Or Jesus.
1:13:59
Very good.

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