:53:01
l want to know how it feels to care
about something passionately.''
:53:09
-Hey.
-Morning.
:53:11
Hey, you two. Up early for a change?
:53:16
-You seem chipper.
-l'm good. l have some new ideas.
:53:20
God, you guys are so smart.
lt's like a brain factory in here.
:53:25
-l got some ideas too this morning.
-He got really, really good ones.
:53:30
You know, in a Donald sort of way.
:53:32
l'm putting--
Hey! What?
:53:37
l'm putting in a chase sequence.
So the killer...
:53:40
...flees on horseback with the girl.
The cop's after them on a motorcycle.
:53:43
And it's like a battle between
motors and horses.
:53:46
Like technology versus horse.
:53:49
And they're still all one person, right?
:53:52
Well, that's the big payoff.
:53:54
-lt sounds exciting.
-Thanks, man.
:53:57
-Thanks.
-See, l told you he was gonna like it.
:54:00
-You're my muse. You are.
-l love being your muse.
:54:05
l'm so happy about that.
:54:09
l'm picking up an order for Kaufman.
:54:29
-Valerie.
-Hi, Charlie.
:54:31
lt's quite a coincidence
bumping into you.
:54:33
l'm sorry l didn't call you back.
l was away last week.
:54:35
-That's okay.
-l meant to because...
:54:37
...things are going really well now,
and l wanted you to know.
:54:40
Well, that's great.
l'm anxious to see something.
:54:42
You should sit down because
l'm here with Susan right now.
:54:45
And she's dying to meet you,
so it's funny bumping into you.
:54:48
-Have a seat.
-Susan Orlean is here?
:54:49
Yeah, she's here in town for a reading
or something. She's just on the phone.
:54:55
Sit down. Have a seat.
She's dying to meet you.
:54:59
Well, l should probably go, because....