Adaptation
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1:12:00
-For God's sake, it's just a metaphor.
-Well, but for what?

1:12:04
What turned that paper ball into
a flower? lt's not in the book, Charles.

1:12:08
-l don't know. You're reaching.
-Maybe.

1:12:10
But l think you actually need to speak
to this woman. To know her.

1:12:16
l can't.
1:12:19
-Really.
-l'll go.

1:12:21
l'll pretend l'm you.
1:12:23
l want to do it, Charles.
1:12:25
We'll get to the bottom of this.
We're gonna fix your movie, bro.

1:12:31
But you've gotta be exactly me.
1:12:34
l have a reputation to maintain.
1:12:37
You can't be a goofball.
You can't be an asshole.

1:12:39
-l'm not an asshole.
-You know what l mean.

1:12:41
No flirting. No bad jokes.
1:12:44
Don't laugh how you laugh.
1:12:47
l'm not gonna laugh.
l get to have people think l'm you.

1:12:51
lt's an honor.
1:12:56
So l guess l'll bring out
the big guns now.

1:13:00
Do you keep in touch with Laroche?
1:13:02
l felt l detected an attraction to him
in the subtext. Care to comment?

1:13:11
Well, our relationship
was strictly reporter-subject.

1:13:14
l mean, certainly an intimacy does
evolve in this kind of relationship.

1:13:20
By definition, l was so interested
in everything he had to say.

1:13:26
But the relationship ends
when the book ends.

1:13:33
-Mendacious deceit.
-What?

1:13:36
Nothing.
1:13:37
l just have one more question.
1:13:42
lf you could have dinner with one
historical personage, living or dead...

1:13:46
...who would it be?
1:13:48
Well, l would have to say...
1:13:51
...Einstein.
1:13:55
Or Jesus.
1:13:58
Very good.

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