:19:00
and abracadabra, bodegas
turn to fiine boutiques...
:19:04
tenement buildings
turn to brownstones.
:19:06
Well, gotta have
someplace to go.
:19:08
Some boring-ass white people
who can't dance...
:19:11
Oh, will you stop?
:19:12
Sometimes you catch
a white guy in my neighborhood...
:19:15
but that's only when
they're buying from me.
:19:17
But when I come down
to their ritzy neighborhoods,
they get uncomfortable.
:19:20
- Is this it?
- Yep. 9707.
:19:23
- (sighs)
- Come on, baby.
:19:25
Come over here.
Let's not go. Come on.
:19:28
- Come on, baby.
- I'll take you to the Copa.
Jimmy's there...
:19:31
I don't want
to go to the Copa.
:19:33
- This will be boring.
- Trish is my friend.
I want you to meet her.
:19:37
- You have to take a hit.
- Please...? No.
:19:39
- Maybe you'll change your mind.
- Um-um. Baby...?
:19:42
- What?
- If it's awful, we'll leave.
:19:45
- Promise?
- I promise.
:19:46
- Five minutes.
- Five minutes is not enough.
:19:50
(chuckles)
Exactly. That's my point.
:19:52
- Come on.
- All right.
:19:56
Can I help you?
:19:58
Yeah, we're looking
for a Jack Wimmer.
:20:00
- That would be the penthouse.
- All right. Here... you can
finish it, man.
:20:19
So, do you guys
know this new artist, Brian Ferrill?
:20:23
I bought these two
paintings forJack.
:20:28
Vic: This place is disgusting.
Look at it.
:20:35
You've got company.
:20:38
Get me a beer
and get her a cosmo...
:20:40
- Cosmopolitan?
- That's what I wanted to say.
:20:43
I'm gonna have
a diet soda, please.
:20:44
He's cute.
What's his name?
:20:47
He's not
for you, Cleo.
:20:49
Always gotta have
your way, don't you?
:20:52
That's right.
(giggles)
:20:53
Hey!
:20:56
I'm so glad you made it.