Full Frontal
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:25:00
-In Tucson?
-These are good,

:25:03
I know, They're sweetened
with fruit juice,

:25:04
I could eat
this whole damn tray,

:25:06
I bought new underwear,
:25:09
-Have you seen a photo?
-No,

:25:14
That Holiday Inn part--
that's kind of a little sad,

:25:17
-Why is that sad?
-Because, Tucson?

:25:20
-So what? He knows a good one,
-All right,

:25:22
Seems like you put
a lot of thought into this,

:25:24
-Planned--we both have,
-Mm-hmm,

:25:26
-Kind of like a wedding?
-Sort of,

:25:29
OK, I think that was good,
but I really, really think,

:25:33
you guys shouldn't make
eye contact,

:25:34
Hold on, hold on,
:25:35
That whole thing of you guys
being an extension of me--

:25:37
Hold on,
Stop giving them directions,

:25:39
One second,
Just let me work this out, OK?

:25:41
One second,
You know when we do,

:25:43
that first scene
where I'm exercising,

:25:45
you guys gotta have
athletic supporters,

:25:47
You know what, stop. Stop.
:25:48
Hey, guess who the world
doesn't revolve around?

:25:51
You. OK? I'm trying--
:25:52
Maybe you want to come out here
and look at it,

:25:54
Give me the jacket--
:25:56
Can I talk to you for a second?
:25:58
I'm fucking giving my all here,
:25:59
I know, I know,
:26:00
I'm giving my all, and
I'm really fucking worried, OK?

:26:02
Because last week you tell me,
:26:04
you want me to play it
like Danny Kaye, right?

:26:06
This morning,
you come in, and you say,

:26:08
"Hey, why don't you play it
like Alan Alda,"

:26:09
What am I, fucking Danny Alda?
:26:11
OK, I think
:26:11
OK, I think
:26:12
You've been
on the fucking laptop,

:26:14
like a little crack monkey,
logging onto Expedia,

:26:16
for this fucking chick
in Tucson?

:26:18
Let me tell you something, man,
This is art,

:26:20
I dumped my girlfriend
the day we started rehearsals,

:26:23
You're not here, man,
:26:23
You're not here, man,
:26:25
I am here, I am here,
:26:26
You're not, OK?
:26:26
You're not, OK?
:26:29
whether you and Carl know what
the fuck you're talking about,

:26:31
Because let me tell you
something,

:26:32
Peter Ustinov said,
:26:32
Peter Ustinov said,
:26:35
"but it's more difficult
to write a bad play,

:26:37
"than to give
a bad performance,"

:26:39
You know what? You know what?
:26:42
What a great fucking idea,
watching me squirm,

:26:44
What are you talking about?
:26:46
-Catherine,
-What are you talking about?

:26:50
-The letter,
-What letter?

:26:52
Uh, the letter,
:26:56
-May I?
-Oh, yeah,


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