:26:00
I'm giving my all, and
I'm really fucking worried, OK?
:26:02
Because last week you tell me,
:26:04
you want me to play it
like Danny Kaye, right?
:26:06
This morning,
you come in, and you say,
:26:08
"Hey, why don't you play it
like Alan Alda,"
:26:09
What am I, fucking Danny Alda?
:26:11
OK, I think
:26:11
OK, I think
:26:12
You've been
on the fucking laptop,
:26:14
like a little crack monkey,
logging onto Expedia,
:26:16
for this fucking chick
in Tucson?
:26:18
Let me tell you something, man,
This is art,
:26:20
I dumped my girlfriend
the day we started rehearsals,
:26:23
You're not here, man,
:26:23
You're not here, man,
:26:25
I am here, I am here,
:26:26
You're not, OK?
:26:26
You're not, OK?
:26:29
whether you and Carl know what
the fuck you're talking about,
:26:31
Because let me tell you
something,
:26:32
Peter Ustinov said,
:26:32
Peter Ustinov said,
:26:35
"but it's more difficult
to write a bad play,
:26:37
"than to give
a bad performance,"
:26:39
You know what? You know what?
:26:42
What a great fucking idea,
watching me squirm,
:26:44
What are you talking about?
:26:46
-Catherine,
-What are you talking about?
:26:50
-The letter,
-What letter?
:26:52
Uh, the letter,
:26:56
-May I?
-Oh, yeah,
:27:01
You're acting crazy,
:27:07
Hmm,
:27:10
Wow, Well,
:27:15
Pretty extraordinary,
:27:17
Really?
:27:22
This is a prank, right?
:27:25
I mean, that's cool,
:27:25
I mean, that's cool,
:27:27
I don't think it's a prank, no,
:27:29
You didn't write this?
:27:31
Is it your fantasy
that I wrote it?
:27:33
Oh, don't, Don't do that,
:27:35
I don't know what to tell you,
:27:36
OK, here's the deal,
:27:38
This right here,
you can't write about,
:27:40
-I can't?
-No, you cannot, It's not fair,
:27:42
You know, they really do
have ovens back there,
:27:44
I am onto you, girl,
:27:45
Well, I think I'm onto you,
all right?
:27:47
Look at me,
:27:50
-Look at me,
-Oh, my,
:27:54
Come on,
:27:54
Come on,
:27:59
It's OK,