Full Frontal
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:45:01
Nice one.
:45:02
Very nice, very nice,
:45:04
Check the gate, Check the gate,
:45:05
BRAD., Lunch?
:45:07
OK,
:45:09
So, David, David,
:45:09
So, David, David,
:45:12
No, no, Absolutely,
Lunch--go ahead,

:45:14
-Nice scene, man,
:45:14
-Nice scene, man,
:45:23
Thanks,
:45:26
Would you not take a role
if you felt,

:45:28
the people of the black
community wouldn't like it?

:45:32
Hmm,
:45:34
This guy that lives
in my neighborhood--

:45:36
lives right across the street
from me,

:45:38
And he dresses like--
yeah, yeah,

:45:40
He dresses like a vampire
twenty-four hours a day,

:45:43
I don't know if he's got a job,
I don't know what he does,

:45:45
but I know
he dresses like a vampire,

:45:47
like Dracula all the damn time,
:45:49
-You want to go?
-Mm,

:45:51
I mean, look,
:45:51
I mean, look,
:45:53
buying romaine lettuce
dressed as Dracula,

:45:55
so you got to figure,
:45:56
he's an actor, right?
He's got to be,

:45:59
Well, you could find out,
:46:01
Yeah, The point is, the answer
to your question is,

:46:04
if I needed the money,
abso-fucking-lutely,

:46:07
Absolutely,
Now, am I proud of that?

:46:09
No,
But, yeah, I'd take it,

:46:12
'cause, look,
:46:12
'cause, look,
:46:20
-OK, Are they gonna say cut?
-I don't know,

:46:26
OK, what's going on?
:46:31
-OK, can somebody--
-Did they call cut?

:46:34
Well, can somebody
communicate--OK,

:46:36
Bonnie, Bonnie, this is
:46:36
Bonnie, Bonnie, this is
:46:39
Fran, listen, listen,
:46:39
Fran, listen, listen,
:46:41
next time we do this,
could you give me...

:46:42
more to work with
on this whole attraction--

:46:43
What do you mean?
That was good, huh?

:46:45
We can't hear in there, though,
We can't hear anything,

:46:48
No, 'cause I'm not feeling
the whole sexual chemistry,

:46:50
No, no, but remember,
:46:51
you gotta leave yourself
somewhere to go,

:46:53
for the second letter
at the airport,

:46:55
All right, Oh!
All right, all right,

:46:58
Right?
:46:59
In the way it's got to build,

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