Full Frontal
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:46:01
Yeah, The point is, the answer
to your question is,

:46:04
if I needed the money,
abso-fucking-lutely,

:46:07
Absolutely,
Now, am I proud of that?

:46:09
No,
But, yeah, I'd take it,

:46:12
'cause, look,
:46:12
'cause, look,
:46:20
-OK, Are they gonna say cut?
-I don't know,

:46:26
OK, what's going on?
:46:31
-OK, can somebody--
-Did they call cut?

:46:34
Well, can somebody
communicate--OK,

:46:36
Bonnie, Bonnie, this is
:46:36
Bonnie, Bonnie, this is
:46:39
Fran, listen, listen,
:46:39
Fran, listen, listen,
:46:41
next time we do this,
could you give me...

:46:42
more to work with
on this whole attraction--

:46:43
What do you mean?
That was good, huh?

:46:45
We can't hear in there, though,
We can't hear anything,

:46:48
No, 'cause I'm not feeling
the whole sexual chemistry,

:46:50
No, no, but remember,
:46:51
you gotta leave yourself
somewhere to go,

:46:53
for the second letter
at the airport,

:46:55
All right, Oh!
All right, all right,

:46:58
Right?
:46:59
In the way it's got to build,
:47:01
you got to give me
something to go on,

:47:02
-We had it going before,
-Did he call?

:47:04
-Yeah,
-It's not working for me,

:47:06
OK, well, if you're
going to stay for lunch,

:47:08
let's talk about
whatever it is--

:47:09
No, I gotta run an errand,
so next time--and maybe it's me,

:47:12
All right,
:47:13
We'll figure it out,
Don't worry about it,

:47:15
All right. I think it was good!
Oh, thanks.

:47:16
No, it's the movie,
:47:16
No, it's the movie,
:47:19
As far as he's concerned,
:47:19
As far as he's concerned,
:47:29
CALVIN: Hey, can you
hold that door for me?

:47:31
-Sure,
-Thank you,

:47:32
Got it?
:47:40
Excuse me,
:47:48
CARL: Oh, the film.
Well, the film--

:47:51
Artie and I wrote this.
:47:52
We started working together--
:47:54
really writing together,
about a year ago.

:47:56
We tossed around
a couple of ideas.

:47:58
And Artie's a pretty good
playwright in his own right.


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