:29:01
than matches in a box,
or a military parade.
:29:04
I keep track very easily.
:29:06
You don't look like it.
:29:10
My life's a mess, not my papers.
:29:13
It's my own fault. I always say yes.
:29:16
- Because you're nice.
- Maybe so, but...
:29:19
I say yes to producers,
hucksters, and women.
:29:22
So I'm broke, I have 4 scripts
and 3 women on my hands.
:29:26
No, 4 women and 3 scripts.
:29:29
Come on. It's cold.
:29:33
Those handbags in the closet...
You collect them?
:29:38
That's for later.
:29:40
When I open a shop.
:29:44
I won't end up in a sailor's brothel.
:29:47
I'll have my own business.
:29:52
A leather goods shop.
:29:55
Luxury stuff.
:30:03
Handbags are so pretty.
:30:07
Even empty, they're pretty.
:30:13
It's fine, but...
:30:16
The set's too big.
:30:18
Too wide for Stage 4.
Two yards too long.
:30:23
With a 35, we won't frame it all.
:30:26
If I place it diagonally on A...
:30:29
But on the A there's the gallery.
:30:32
We have to cut it down.
Or take out this wall.
:30:35
I noted the camera angles
on the floorplan.
:30:38
I'll work it out.
:30:41
Cut this, maybe.
:30:43
Add arch. Gives volume.
:30:46
And the paintings there?
:30:51
They're for the painter's studio.
:30:54
I painted two, small ones.
:30:57
Good. Arches, cats...