:30:03
Handbags are so pretty.
:30:07
Even empty, they're pretty.
:30:13
It's fine, but...
:30:16
The set's too big.
:30:18
Too wide for Stage 4.
Two yards too long.
:30:23
With a 35, we won't frame it all.
:30:26
If I place it diagonally on A...
:30:29
But on the A there's the gallery.
:30:32
We have to cut it down.
Or take out this wall.
:30:35
I noted the camera angles
on the floorplan.
:30:38
I'll work it out.
:30:41
Cut this, maybe.
:30:43
Add arch. Gives volume.
:30:46
And the paintings there?
:30:51
They're for the painter's studio.
:30:54
I painted two, small ones.
:30:57
Good. Arches, cats...
:31:01
Clouzot doesn't like
Le Chanois's dialogue.
:31:04
He says it lacks "punch."
That's the word he used.
:31:07
Here are both versions.
You decide.
:31:09
I'll read them tonight, sir.
:31:12
For the historical explanation
of the severed hand,
:31:16
we have to simplify. Too long.
:31:19
Or we ask for an extra day or two.
:31:21
We said 28 days. 28!
:31:24
If there is an extension,
:31:27
it will be an extension of 600 miles.
:31:30
We'll send you to Babelsberg
to study German production methods.
:31:42
And if we sent you to Stalingrad,
to study crawling methods.
:31:47
Here's your pass.
:31:50
Mr. Greven just signed Palau.
:31:52
Good. You won't be sorry.
:31:55
And your contract? Bring it in signed.
:31:58
He'll be great as the Devil. Palau...