Max
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1:14:01
money, beautiful lovers?
1:14:03
- I see myself teaching.
- Hm-mm.

1:14:05
And you, Rothman?
How do you see the future?

1:14:07
Look inside my pocket.
1:14:12
"Would you die for
the mother-in-law land?"

1:14:16
You're a menace, Rothman.
1:14:19
l got another one for you.
1:14:21
"War is the instrument
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with which the happy--"
no, no, reverse that.

1:14:25
"War is the instrument by which
the unhappy turn the happy

1:14:27
- into themselves."
- Mensch.

1:14:29
Don't you know genius
and happiness go together

1:14:31
about as well as
cheese and chalk?.

1:14:34
Cheese and chalk.
Paint that.

1:14:36
No, I disagree.
1:14:38
You know that all great cultures
die from the same cause,

1:14:42
blood poisoning.
1:14:44
Don't you know that all great--
truly great art

1:14:48
comes from the struggle--
the titanic, the epic,

1:14:50
the eternal struggle.
1:14:52
Are you saying all art
should be political?

1:14:55
No, no, no, dear girl,
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l'm simply speaking
of the pure blood mixture.

1:14:59
Everything depends
on blood mixture

1:15:01
and the resultant drops
in racial levels.

1:15:04
Hitler's very concerned
with blood.

1:15:06
We think, we hope
it's a metaphor.

1:15:13
He's a futurist. Doesn't he
sort of remind you of Marinetti?

1:15:16
No, no.
1:15:18
- He does a bit.
- What are you doing with this man?

1:15:21
- He's the most horrible creature.
- He doesn't have any friends.

1:15:24
Of course he doesn't have
any friends, he doesn't listen.

1:15:26
- And this thing about blood.
- He had a bad war.

1:15:29
No, darling, you had a bad war.
l'm sure he had a fine war.

1:15:32
What do you
feel guilty about, Max?.

1:15:34
l don't feel guilty.
1:15:36
l think guilt is
a second-rate emotion.

1:15:38
On the other hand,
when I came back from the war,

1:15:40
l came back to my family,
and my bank account,

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my parents and the best care.
And he came back to nothing,

1:15:44
but really nothing.
1:15:46
- Clearly you do feel guilty.
- No, but I acknowledge the fact

1:15:49
that I don't know what it's like
to come back to nothing.

1:15:55
Darling, you're wrong.
You've come back to nothing

1:15:58
and every day I see you turn
that into something so beautiful.


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