1:15:01
and the resultant drops
in racial levels.
1:15:04
Hitler's very concerned
with blood.
1:15:06
We think, we hope
it's a metaphor.
1:15:13
He's a futurist. Doesn't he
sort of remind you of Marinetti?
1:15:16
No, no.
1:15:18
- He does a bit.
- What are you doing with this man?
1:15:21
- He's the most horrible creature.
- He doesn't have any friends.
1:15:24
Of course he doesn't have
any friends, he doesn't listen.
1:15:26
- And this thing about blood.
- He had a bad war.
1:15:29
No, darling, you had a bad war.
l'm sure he had a fine war.
1:15:32
What do you
feel guilty about, Max?.
1:15:34
l don't feel guilty.
1:15:36
l think guilt is
a second-rate emotion.
1:15:38
On the other hand,
when I came back from the war,
1:15:40
l came back to my family,
and my bank account,
1:15:42
my parents and the best care.
And he came back to nothing,
1:15:44
but really nothing.
1:15:46
- Clearly you do feel guilty.
- No, but I acknowledge the fact
1:15:49
that I don't know what it's like
to come back to nothing.
1:15:55
Darling, you're wrong.
You've come back to nothing
1:15:58
and every day I see you turn
that into something so beautiful.
1:16:02
l told him the other day
that his insane fucking ideas
1:16:04
were holding him back
as an artist
1:16:06
and he tries,
he really does,
1:16:08
sometimes.
1:16:09
Until tonight, of course,
but that's because he feels
1:16:12
insecure being around
you two lovely ladies.
1:16:15
Just remember,
1:16:17
Florence Nightingale
died of syphilis.
1:16:19
And that means what?
1:16:21
Don't get too close
to your charity cases.
1:16:25
You've got chocolate
all over your mouth.
1:16:26
Thank you.
That's very nice of you.
1:16:28
l just want to know what
he has in that briefcase,
1:16:31
it's the second time
he went to the loo.
1:16:35
He just left.