:18:11
You'll see. the mood's different.
:18:14
In a studio, you're in control.
:18:16
Not like outside.
where the weather's king.
:18:20
A studio's like a church.
A place of speech.
:18:23
The movie's speech.
Not your smutty jokes!
:18:27
You find jokes vulgar: they relax me.
:18:31
I feel loved by the grips
and electricians.
:18:34
I really need to be loved by them.
:18:37
The love scenes are coming up.
:18:39
"Male jokes" soon get out of hand.
:18:42
I need to love you, to film you!
:18:45
You wiggle your ass for the crew:
I want to puke!
:18:51
- I mean no harm. I'm very shy.
- Not at all!
:18:55
You waste your charm.
There's none left for the camera!
:19:01
I said you looked
ugly on the beach...
:19:03
- Screw beauty!
- That's not what I meant!
:19:06
I mean moral ugliness!
:19:08
An actor who isn't in the shot!
:19:10
His flesh is there.
but not his soul.
:19:13
You can have the best light,
the best cameraman.
:19:16
if the actor doesn't give you
his inner light,
:19:19
you film dead flesh.
The corpse of a film!
:19:25
I won't use the angle on you,
or very little.
:19:29
OK, that's what editing is for,
:19:31
so it doesn't really matter.
:19:33
You think the Actress is hopeless,
:19:36
but what she gave me is magnificent!
:19:40
She turns her green eyes
on you:
:19:43
it's like she's burning
with desire for you.
:19:46
That shot will make the scene!
:19:48
It'll do wonders for her character.
:19:51
Your Actress is hopeless!
She's not an actress!
:19:54
I'm interested in myself: I'm unique.
:19:57
You're unique?
How can you say that?