:19:01
I said you looked
ugly on the beach...
:19:03
- Screw beauty!
- That's not what I meant!
:19:06
I mean moral ugliness!
:19:08
An actor who isn't in the shot!
:19:10
His flesh is there.
but not his soul.
:19:13
You can have the best light,
the best cameraman.
:19:16
if the actor doesn't give you
his inner light,
:19:19
you film dead flesh.
The corpse of a film!
:19:25
I won't use the angle on you,
or very little.
:19:29
OK, that's what editing is for,
:19:31
so it doesn't really matter.
:19:33
You think the Actress is hopeless,
:19:36
but what she gave me is magnificent!
:19:40
She turns her green eyes
on you:
:19:43
it's like she's burning
with desire for you.
:19:46
That shot will make the scene!
:19:48
It'll do wonders for her character.
:19:51
Your Actress is hopeless!
She's not an actress!
:19:54
I'm interested in myself: I'm unique.
:19:57
You're unique?
How can you say that?
:20:04
If I'm ill at ease, screw your film.
:20:08
But I'm well-paid, so I'm happy.
:20:10
Don't say it's just for the money.
:20:13
No, I'm glad to do your film,
and glad to be well-paid.
:20:18
You insulted me on the beach!
You enjoy that!
:20:21
No. I don't!
:20:23
When I see the scene's bad, I panic.
:20:26
I don't realize what I'm saying.
:20:28
Awful things! They freeze me up.
:20:33
I want you to be as I see you.
:20:36
- I can't see myself!
- You must sense it!
:20:39
Flirting with everyone,
as if you wanted to bed them!
:20:43
I'm furious it won't be in the film.
:20:48
But we got it once: the scene
in the dunes is great!
:20:52
You're the way I like you,
and you have dimples.
:20:56
An ironic counterpoint
to the scene's sentimentality.