:20:04
If I'm ill at ease, screw your film.
:20:08
But I'm well-paid, so I'm happy.
:20:10
Don't say it's just for the money.
:20:13
No, I'm glad to do your film,
and glad to be well-paid.
:20:18
You insulted me on the beach!
You enjoy that!
:20:21
No. I don't!
:20:23
When I see the scene's bad, I panic.
:20:26
I don't realize what I'm saying.
:20:28
Awful things! They freeze me up.
:20:33
I want you to be as I see you.
:20:36
- I can't see myself!
- You must sense it!
:20:39
Flirting with everyone,
as if you wanted to bed them!
:20:43
I'm furious it won't be in the film.
:20:48
But we got it once: the scene
in the dunes is great!
:20:52
You're the way I like you,
and you have dimples.
:20:56
An ironic counterpoint
to the scene's sentimentality.
:21:00
A thing and its opposite.
:21:03
But in the dune scene.
something happened.
:21:05
You let yourself go.
:21:07
You stopped protecting yourself,
:21:09
worrying if you were obscene.
:21:11
Fear of being obscene,
makes one obscene.
:21:14
The camera frames
what one sees. doesn't see.
:21:17
or thinks one sees.
:21:19
And the emotion you convey.
:21:21
Emotion is never dirty or obscene.
It's grace.
:21:27
Sorry to interrupt your
intimate conversation...
:21:30
It's not intimate.
:21:34
I watched you from afar,
I didn't dare come over.
:21:36
How did we look?
:21:37
You have a weird relationship
with your Actor,
:21:41
so passionate, like two wildcats.
:21:43
No one dares interfere.
as you go at each other.
:21:47
It started badly,
but I think we'll get over that.
:21:51
He's horribly proud!