Ghosts of the Abyss
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:48:01
at the juncture
of two compartments,

:48:02
which would flood
two adjacent compartments.

:48:05
The ship would only sink so far
and still be safe.

:48:08
She was also designed to float
:48:10
with any three of the first five
compartments flooded.

:48:14
Or the first four in a row
could still flood

:48:18
if they were in some
traumatic...

:48:19
That was
the worst-case scenario.

:48:22
Run into a rock or something
like that, just full-on.

:48:25
She'd buckle back,
and the ship could still float.

:48:27
With all of this combination
of safety factors,

:48:31
she was considered
virtually unsinkable.

:48:32
What they didn't envision
is what happened that night.

:48:39
"Titanic" struck the iceberg,
:48:41
a glancing blow
along the starboard side,

:48:43
scraped along and ruptured
plates or split the seams,

:48:46
moving along into
this cargo compartment,

:48:48
into this cargo compartment,
and this baggage and cargo,

:48:51
into Boiler Room Number 6
:48:53
and two feet
into the coal bunker

:48:55
of Boiler Room Number 5.
:48:57
And as the ship sank,
:48:58
just at the point where it was
about ready to stabilize,

:49:01
it reached the top of this
watertight subdivision,

:49:03
and started flowing up
the stairways, across the deck

:49:05
and down into
the next compartment.

:49:07
It was just
a mathematical certainty.

:49:10
There was no way,
no matter how you slice it,

:49:12
that the ship
is going to make it.

:49:16
So where exactly did it split?
:49:18
Well, it broke in two
right back here.

:49:21
Just right about at
the third funnel and after that.

:49:25
There's a natural weak spot
here in the hull

:49:29
right above
the reciprocating engine room.

:49:31
There is a large air shaft here
for light and air

:49:34
to ventilate
the reciprocating engine room.

:49:37
My God.
:49:39
What that must have
sounded like, looked like.

:49:42
What that must have been like.
:49:45
What a deathblow
to this great ship.

:49:54
Imagine the vortex to create
that kind of twisting.

:49:58
That's what gets me.
:49:59
Seeing the end of the stern
piece, and seeing how...


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