:49:01
it reached the top of this
watertight subdivision,
:49:03
and started flowing up
the stairways, across the deck
:49:05
and down into
the next compartment.
:49:07
It was just
a mathematical certainty.
:49:10
There was no way,
no matter how you slice it,
:49:12
that the ship
is going to make it.
:49:16
So where exactly did it split?
:49:18
Well, it broke in two
right back here.
:49:21
Just right about at
the third funnel and after that.
:49:25
There's a natural weak spot
here in the hull
:49:29
right above
the reciprocating engine room.
:49:31
There is a large air shaft here
for light and air
:49:34
to ventilate
the reciprocating engine room.
:49:37
My God.
:49:39
What that must have
sounded like, looked like.
:49:42
What that must have been like.
:49:45
What a deathblow
to this great ship.
:49:54
Imagine the vortex to create
that kind of twisting.
:49:58
That's what gets me.
:49:59
Seeing the end of the stern
piece, and seeing how...
:50:02
Can't you just see one
of those fish swimming along?
:50:07
And then...
:50:10
And you know
what the fish would've done?
:50:13
"Whoa," you know?
:50:16
Exactly.
:50:17
Our best shot is probably
of the reciprocating engines
:50:20
on the starboard side, right?
:50:21
That's the guts of it.
:50:23
Starboard side.
:50:24
Sometimes I see him
come here and come up.
:50:27
Yes.
That's good.
:50:29
- Good.
- Like that.
:50:30
And I lose, sometimes, good
shots when Victor stays here.
:50:36
Right.
:50:37
But the thing is
that Victor can't face us.
:50:39
He can't, otherwise his lights
will hit the camera.
:50:42
He has to be above
with the lights down,
:50:45
or like this.
:50:47
Yes.
Maybe here.
:50:51
So sort of this.
This sort of thing.
:50:55
See, if the water is clear,
that'll make a good shot.
:50:57
The engine room,
where those guys were fighting
:50:59
to keep that thing alive.