Pas sur la bouche
prev.
play.
mark.
next.

:21:00
Nothing. When l get emotional,
it gives me hiccups.

:21:04
l'm so easily impressed.
l'll soon get over it.

:21:07
Get dressed for dinner.
:21:08
You're running out of time.
l'll do likewise.

:21:13
See you later, Mademoiselle.
:21:16
Poor Faradel, he must have
a faulty imprint.

:21:19
Let's finish this letter.
''My dear Charly.

:21:19
Let's finish this letter.
''My dear Charly.

:21:22
''l'm very curious
about Spherist art.

:21:24
''Would you be kind enough
to send me an invitation?

:21:26
''Even better, bring me
the invitation

:21:28
and then you can go with me.''
:21:30
Monsieur Charles Bruner!
:21:31
Show him in!
:21:33
How wonderful!
My letter has already arrived.

:21:39
-l'm delighted to see you.
-Not as much as l am, Charly.

:21:42
How is your Coocooism
school doing?

:21:44
Wonderfully well.
:21:46
My latest field is total art.
:21:49
My goodness!
You certainly stop at nothing!

:21:52
Or, if you prefer,
lyrico-symphonic art.

:21:55
Anyway, l've painted a picture,
:21:58
composed a symphony
and written a poem.

:22:00
These three works form a whole:
:22:02
one is impossible
without the other two.

:22:04
The Holy Trinity!
:22:05
Could we descend from such
lofty heights for a second?

:22:08
-Lofty heights?
-Let's be down to earth.

:22:10
Surely you're not counting on
this poetico-balsamic painting

:22:12
to make you rich?
:22:14
But, well,
l'm bringing you riches.

:22:19
ln what form?
:22:21
-A matrimonial one.
-l beg your pardon?

:22:23
A charming young woman,
excellent dowry

:22:25
and huge expectations.
:22:28
Then l don't understand.
:22:30
She loves you, good Lord.
:22:34
You're serious.
:22:37
l thought it was a joke.
:22:43
-Someone wants to marry me?
-ls that a rejection?

:22:45
A categorical
and downright rejection.

:22:48
You don't know
what you're missing.


prev.
next.