:38:01
We gave you the pages,
Jen, and you did these sharpie drawings...
:38:04
which you swore were just
to explain some ideas...
:38:07
and they ended up sticking in
as the final storyboard.
:38:14
Oh, no.
:38:19
Five on Marina.
:38:24
You egotistical...
:38:27
- You spoiled...
...disrespectful, pretentious...
:38:30
...deluded...
...pompous, self-centered...
:38:32
...high-and-mighty...
...ungrateful, impossible, insufferable...
:38:37
Another location design by David James.
:38:41
From the giant long shots of the fish
to detailed pages on this...
:38:46
lots of beautiful design.
:38:48
Second big clue that this is not an island.
:38:51
All the plants, like deep sea anemones,
pull into themselves.
:38:55
I know Mireille's going to make you
explain the lure.
:38:57
- Yes, it's an anglerfish.
- What is a...
:39:00
- It's a giant glowing lure.
- It's got its own sun.
:39:06
And, of course, the eye does actually
reverse dilate as light hits it.
:39:10
I love that detail that they put in the effects.
:39:14
Yes, have the dog lick the eye goo.
There's an idea.
:39:20
The fish is as panicked to have these
little creatures on it...
:39:23
as they are to be on this island
that turns out to be a fish...
:39:26
so it's beating a hasty retreat.
:39:28
I wouldn't want Sinbad running up
my shoulder.
:39:33
The challenge for Damon's team
was getting the scale...
:39:35
getting the size of this thing.
:39:38
There's a great little sequence coming up...
:39:41
which was all about developing it in layout,
and Matt Aspbury did it.
:39:46
Just the Chimera getting towed
behind the fish.
:39:49
And it was a pretty complex thing
to work out...
:39:52
but definitely added
a lot of scale and tension to it.
:39:58
- Veer off, Kale!
- The star!