:39:00
- It's a giant glowing lure.
- It's got its own sun.
:39:06
And, of course, the eye does actually
reverse dilate as light hits it.
:39:10
I love that detail that they put in the effects.
:39:14
Yes, have the dog lick the eye goo.
There's an idea.
:39:20
The fish is as panicked to have these
little creatures on it...
:39:23
as they are to be on this island
that turns out to be a fish...
:39:26
so it's beating a hasty retreat.
:39:28
I wouldn't want Sinbad running up
my shoulder.
:39:33
The challenge for Damon's team
was getting the scale...
:39:35
getting the size of this thing.
:39:38
There's a great little sequence coming up...
:39:41
which was all about developing it in layout,
and Matt Aspbury did it.
:39:46
Just the Chimera getting towed
behind the fish.
:39:49
And it was a pretty complex thing
to work out...
:39:52
but definitely added
a lot of scale and tension to it.
:39:58
- Veer off, Kale!
- The star!
:40:01
This great wakeboarding sequence
was Jeffrey's idea.
:40:05
He didn't want the fish
just to go underwater...
:40:07
he wanted Sinbad to hitch on it for a ride...
:40:10
and not merely get towed...
:40:12
but actually ride behind
this enormous 200-foot wake...
:40:15
like you would behind a ski boat
or a wakeboarding boat.
:40:20
Huge scale shots.
:40:22
I think they all pretty much
work back to back.
:40:25
Take that 3D water
and then try lo light it from underneath...
:40:29
then there was
such a magical look in the end.
:40:32
But you're sitting there,
trying to do rough concept on this...
:40:35
something like, "What does that look like?"
:40:38
I thought it was cruel in a movie
full of kids drinking soft drinks...
:40:41
that we have so much water in it.
:40:43
Did anybody make it through this movie
without a quick dash to the restroom?
:40:49
How many times do you make
your hero get sick to his stomach?
:40:56
Is that a James Baxter shot?
I think it was...
:40:58
of Sinbad bouncing nauseated
on the rim of his ship.