1:10:00
and there's a takeover...
1:10:02
Yeah, it's a takeover.
1:10:06
Yes, what remains of the Manoli.
1:10:10
He's still there.
1:10:15
It's nice to allow Sinbad to be Sinbad here.
1:10:17
So, in spite of his victory,
he can't help but be the jokester.
1:10:21
Brad Pitt loved stuff like this.
1:10:23
He would take great delight
in the ways that Sinbad was devilish...
1:10:26
and then milk it
and have fun with the performance.
1:10:28
No, really. How much?
1:10:36
We get little glimpses of Syracuse.
As Raymond indicated earlier...
1:10:40
the full design of the city
with its lochs and waterways...
1:10:43
and multiple levels was something
maybe we'll share on the DVD...
1:10:46
with some of the artwork
as not all of it made it into the picture...
1:10:50
and was quite elaborate.
Made you wanna live in Syracuse.
1:10:52
I was always picking out
where my apartment would be.
1:10:56
This is an important moment for Sinbad.
Ten years ago he had left Syracuse...
1:11:00
because he didn't want to come between
Proteus and Marina.
1:11:03
And here, he's doing
the noble thing yet again.
1:11:06
Choosing to leave
without the woman he loves.
1:11:11
Get a haircut.
You're gonna be king someday.
1:11:15
Bob Logan gave us that line,
one of the storyboard artists.
1:11:19
Funny send-off for Proteus.
1:11:43
This is a scene that in spite of
quite a few permutations of the film...
1:11:48
this scene always stayed the same.
1:11:49
Even as we were redefining relationships
in the picture...
1:11:53
I think this was
one of the least touched scenes...
1:11:56
for the last couple of years
of the story development. It really...
1:11:59
Except when a woman came from behind
after she left and said...