1:09:04
and do it in her own sort of style.
1:09:06
So I think we've achieved a sort of rarity...
1:09:08
where the villainess is defeated
and yet survives...
1:09:12
goes her own way.
1:09:18
And leaves room
for the Book coming back...
1:09:20
to be the big climax here...
1:09:24
which went through a lot of design ideas,
going from...
1:09:26
electrical bolts of lightening scouring
the city...
1:09:31
and darkness peeling away from the edges.
1:09:34
We opted for light rays to come in,
in a more gentle reveal.
1:09:45
Big, very difficult camera move.
1:09:47
Anybody who's tried to draw
an animation knows that...
1:09:49
doing that 360 degrees around a character
is difficult.
1:09:52
We had a computer reference,
but it ended up being all-drawn animation.
1:09:57
Actually, I think the beginning is still a CG...
1:10:00
and there's a takeover...
1:10:02
Yeah, it's a takeover.
1:10:06
Yes, what remains of the Manoli.
1:10:10
He's still there.
1:10:15
It's nice to allow Sinbad to be Sinbad here.
1:10:17
So, in spite of his victory,
he can't help but be the jokester.
1:10:21
Brad Pitt loved stuff like this.
1:10:23
He would take great delight
in the ways that Sinbad was devilish...
1:10:26
and then milk it
and have fun with the performance.
1:10:28
No, really. How much?
1:10:36
We get little glimpses of Syracuse.
As Raymond indicated earlier...
1:10:40
the full design of the city
with its lochs and waterways...
1:10:43
and multiple levels was something
maybe we'll share on the DVD...
1:10:46
with some of the artwork
as not all of it made it into the picture...
1:10:50
and was quite elaborate.
Made you wanna live in Syracuse.
1:10:52
I was always picking out
where my apartment would be.
1:10:56
This is an important moment for Sinbad.
Ten years ago he had left Syracuse...