:01:07
To the corner, reach. Two arms up.
Two arms up Reach, reach...
:01:11
Contract around.
:01:13
That's good. Stay low.
Reach back. Grab the skirt...
:01:19
Grab the skirt with both hands.
Bring the skirt up to your chin.
:01:23
When you get the skirt,
don't touch it...
:01:26
Don't reach for it.
Don't grab it.
:01:29
- Well, how's he going to get it?
- There's ways to get the material...
:01:34
When you bring it round with you
pull it to you like...
:01:39
You changed it from something
else to this yesterday.
:01:44
Yeah that was yesterday.
Now I want this.
:01:46
- There's no other way.
- It's organic, you see.
:01:51
That's not organic. He has to bring
the skirt to this point...
:01:55
It's organic. That's why it's
so beautiful because...
:01:58
You're discovering new things
in it all the time.
:02:01
You see here's the child.
:02:03
It's like you're giving birth
to the world.
:02:06
He's a man. How's he going to
give birth?
:02:09
There's the baby. You go down
with the baby. Pick the baby up...
:02:12
- The baby's over here.
- He's giving birth.
:02:14
No. You're mixing up the babies.
This baby is a metaphor.
:02:21
- For what?
- Giving birth.
:02:23
- I like this, honey. This is good.
- That's the same thing we just did.
:02:27
- What?
- That's the same thing we just did.
:02:29
No, that's what I told him to do.
Are you arguing with me?
:02:33
We've been rehearsing for 2 hours
and every time you change it.
:02:38
There's no way he's going to learn
it if you keep changing it.
:02:42
We're done here. Honey,
come on let's scramble some ideas.
:02:48
Instead of some asshole who
contradicts me all the time.
:02:51
Who's heard of a man having a baby?
Where's it going to come from?
:02:56
Now, I got a million ideas here
for music. Adam?