:24:00
WeII .
:24:05
WeII , I . . .
:24:08
I can't go back
to San Francisco.
:24:16
I'm sorry, Signora,
:24:18
The contessa's famiIy Iived here
for generations,
:24:20
so understandabIy it is
very difficuIt for her to seII .
:24:26
Money is not the onIy issue.
She needs --
:24:31
A sign .
:24:33
I understand .
I beIieve in signs, too.
:24:37
WeII , thank you .
Thank you .
:24:47
Oh !
:24:50
PIease.
:24:55
What did she say?
:24:58
In ItaIy, what happened to you
is a very good sign .
:25:01
-It is?
-Yes.
:25:02
And now. . .wouId you
Iike to see the house?
:25:05
First, we open an account.
Then you transfer the money.
:25:09
Here is the IegaI description .
''Two oxen , two days.''
:25:12
-I'm sorry.
-It's oId-fashioned .
:25:13
The Iand is measured by
how Iong it wouId take two oxen
:25:17
to pIow it.
:25:18
Oh .
Oh , that makes sense.
:25:28
Just Iike that?
:25:30
Before the money's
been transferred?
:25:32
It's a house, not a Vespa.
:25:34
What are you going to do,
steaI it?
:25:37
Besides, Signor Martini
Iikes you .
:25:54
Okay. We'II take care
of the rest Iater.
:25:57
NormaIe,
:25:58
NormaIe?