1:23:01
Just like Carl's selling Kippie out.
1:23:04
At least, isn't that what you told me?
1:23:06
Yes, yes, that's it. Turn the tables
on us all. That's real. It's honest.
1:23:10
Phillip, get Carl.
1:23:13
Jay, give me a shot to Carl.
1:23:14
-What are you doing?
-Regurgitating.
1:23:17
Something sexy just for you, Carl.
1:23:19
-Who's Carl?
-Stage left, crooked toupee.
1:23:23
-Philip, on four.
-Camera four, go.
1:23:27
Get that camera off of me. Phil?
1:23:31
-Can't do this to him.
-You hold that shot. Split the screen.
1:23:35
Did you know that Carl
comes in really close...
1:23:38
...so that America can see that tape
you wear on your face right there?
1:23:41
Then he edits it out
of the copy he gives you.
1:23:43
-Back to Carl now.
-And those tabloid leaks.
1:23:46
Nice, really nice.
1:23:48
You're burying Carl.
1:23:51
I'm burying him, her, you, me.
1:23:55
We're all going down.
1:23:58
Go to commercial.
1:24:00
No commercial. I'm still
running things. Stay with me, Phil.
1:24:05
Not you. You'll get promoted.
1:24:09
I'm out of here. I can't top this.
1:24:12
Anyway, Barb and I were playing
with your Palm, and we stumbled...
1:24:15
...across a lovely montage
of Joyce...
1:24:18
...and your folks on holiday.
1:24:22
Which is really odd, because
you never bring girls home.
1:24:25
-I don't.
-You brought her.
1:24:28
She's different.
1:24:32
Why?
1:24:36
-Yeah, why?
-Tell us!
1:24:39
You know what? I'm not doing this.
1:24:42
-Why?
-You wanna get out of my way?
1:24:45
Is she better for you?
1:24:54
I guess so.
1:24:57
Maybe I always knew it.