:08:11
Danny, come here, sweetie.
Get away from the ants.
:08:18
See, we have the best-fed ants
in the neighborhood.
:08:20
Come on.
:08:21
Have to do that later.
:08:23
Jason, my guys took
your guy's gun.
:08:25
Can't.
It's attached to his leg. See ?
:08:27
Oh, my God.
:08:29
That's me, man.
:08:33
That's me.
:08:34
Danny, play nice
with your brother.
:08:36
What's that music you're using ?
I really dig it.
:08:43
Whatever it is,
it's terrific, man.
:08:46
It really...
:08:48
I don't know...
:08:51
suits his life somehow.
:08:53
So, Danny, you still drawing ?
:08:57
Didn't you want to grow up
to be an artist ?
:09:03
That's some
of the opening sequence.
:09:04
The rest needs
some fixes and tweaks.
:09:07
But right now, he's clocking in
at one hour and 40 minutes.
:09:09
Yeah, that's cool.
:09:13
I just wanted to have a look
:09:15
before the Rememory tomorrow.
:09:16
You know.
:09:18
You've done a hell of a job
with him, Mr. Hakman.
:09:20
You've done
the son of a bitch right.
:09:22
You're welcome.
:09:26
I don't suppose...
:09:28
There was a fishing trip
when we were 13.
:09:30
Just Danny and I and Dad...
:09:32
- At the cape.
- Yes, that one.
:09:34
My God,
that day is still with me.
:09:36
You requested it specifically.
It's there.
:09:39
Well, I'll be off, then.
:09:54
Closing Zoe project
D. Monroe, rough cut 6.