:46:00
before anybody else woke up.
:46:08
Great business. We set up the retainer
obviously early in the picture
:46:12
but it was so cumbersome for Brady to speak with
:46:16
that we decided to find a way to have him add it
:46:21
only after his father commented
that he wasn't wearing it.
:46:25
Otherwise we'd have had
that opening sequence with the retainer
:46:29
and his diction would have been difficult at best.
:46:36
Great publicity shot of the five Tracys
all lined up at the workstation.
:46:48
Look at the colour grading now on Tony's face.
:46:55
The colour drains out of his face magically.
:47:03
There was much debate
whether to keep this scene
:47:06
but we all loved Rosie and Tony together
so much that it was decided
:47:12
that the picture could hold a little levity at this point.
:47:16
They're both so great. Here we go.
:47:26
The character of Transom's
always so eager to please.
:47:29
Here his colour comes back.
:47:32
All done in postproduction in the grading suite.
:47:37
Here we are back in the Seychelles.
:47:43
Whip pans.
:47:46
I think this is the day
that the heat exhaustion finally hit Brady.
:47:51
We were lucky to get this scene.
:47:54
It's odd, the Seychelles
is a beautiful destination, a gorgeous resort,
:47:59
and yet clearly
there are not many films made there,