:47:03
There was much debate
whether to keep this scene
:47:06
but we all loved Rosie and Tony together
so much that it was decided
:47:12
that the picture could hold a little levity at this point.
:47:16
They're both so great. Here we go.
:47:26
The character of Transom's
always so eager to please.
:47:29
Here his colour comes back.
:47:32
All done in postproduction in the grading suite.
:47:37
Here we are back in the Seychelles.
:47:43
Whip pans.
:47:46
I think this is the day
that the heat exhaustion finally hit Brady.
:47:51
We were lucky to get this scene.
:47:54
It's odd, the Seychelles
is a beautiful destination, a gorgeous resort,
:47:59
and yet clearly
there are not many films made there,
:48:03
so we chartered flights in
for the crew, cast and equipment.
:48:09
And we hired locals to help us out
in the different departments.
:48:15
But people actually had to machete a path
up to this location
:48:19
so that the art department
could mount this satellite station.
:48:23
Then we had to machete
another path down to a dirt road,
:48:27
then cut to a river so we could bring the cast
and crew up in four-wheel drive vehicles.
:48:33
All to get this wonderful
isolated top of the island.
:48:40
Yeah.
:48:49
Here we go. And the chase begins.
:48:54
Hans Zimmer helping us out yet again.