:19:01
Damn, Rober.
:19:02
-What an amateur.
-Hey, fuck you.
:19:04
-Piece of cake, man.
-Make sure it's amazing.
:19:07
-And with a good cook.
-Find out how much they'lI spend.
:19:12
The otherthing...
:19:18
We'lI look into it.
:19:20
Things are tight,
but we'lI try.
:19:23
If you have any more questions,
you can ask me later. Goodbye.
:19:26
Goodbye, thank you.
:19:31
Marta, Lorenzo,
these are Tito and Ruy.
:19:35
The musicians
who gave us the demo.
:19:37
-Hi. Nice to meet you.
-Likewise.
:19:40
l think you'lI like them. It's the
type of stuff we're Iooking for.
:19:43
Any previous records
orcontracts?
:19:45
No, producing
is so expensive here...
:19:47
Cuba's blocked.
It's a tough situation.
:19:50
-But you'lI love ourstuff.
-I'd like to hear it.
:19:52
-They're finding a beachhouse.
-Give us a coupIe days.
:19:55
With a big living room,
for an office. Money's no object.
:19:59
Then space won't be a probIem.
:20:01
Whatabout dinnertonight?
:20:04
I don't know. Any ideas?
:20:06
l was thinking something simpIe...
:20:08
-The FIoridita...
-No, Rober.
:20:10
Save the tourism.
Leave it to us.
:20:13
We know a nice IittIe pIace
with great music,
:20:17
-good food...
-If you don't like it, ourtreat.
:20:21
Send me the revised contracts.
:20:24
And the editorial rights.
:20:26
Tomorrow I meet with the consuI
and the cultural attaché.
:20:29
The visa won't be a problem.
:20:31
Yeah, we've signed
the pre-contract.
:20:35
Quite a featover here.
:20:38
I've had two meetings.
l aImost gave up. HoId on. Hi.
:20:42
Hi.
:20:44
Sorry, gotta go. l'm getting into
the Time Machine.
:20:46
-What is this reIic?
-A 1952 Chevrolet.
:20:50
A 1952 ChevroIet.
How quaint.
:20:58
-ls this it?
-Yeah.