1:03:02
'Cause you can't do this job
without investing yourself in the kids.
1:03:06
Christ.
1:03:14
It has to be on a 45-degree angle
pointing in...
1:03:16
'cause we have square tips here.
1:03:19
But they come in other fashions.
1:03:22
I feel I felt more solace
and more contention in music...
1:03:25
in the music I chose
to listen to...
1:03:27
not the music Paul felt I should
and that Paul felt I should learn.
1:03:31
Though learning it helped me, to some
extent, to become a better musician...
1:03:36
which is, I suppose,
the underlying purpose of it all.
1:03:45
Me and Paul parted ways
on the best possible terms.
1:03:49
I mean, I cried almost
a little bit kind of, but not really...
1:03:52
and I don't wanna talk about it
in that sense.
1:03:55
But Paul was very respectful.
He just approached me...
1:03:58
and he was, like, "Do you wanna be
in Rock School anymore?"
1:04:01
And I guess it was more of, like,
that was his way of saying...
1:04:05
"You're not paying,
you don't wanna work...
1:04:08
and you're not gonna get good. "
1:04:13
Maybe Paul honestly saw me
as a lost kid...
1:04:16
and that he felt like
he should give me help...
1:04:18
'cause I was a pretty fucked-up kid.
1:04:21
So, I mean, do you... do you miss it?
1:04:23
Do I?
1:04:27
I do, but not to the extent
that I'd ever go back.
1:04:31
I feel like that part
of my life is over.
1:04:35
One, two, three.
1:04:39
One, t... Listen to me.
One, two, three, four.
1:04:44
There it is. Okay?
It's not on four. It's on four and.
1:04:47
One, two, three, four.
1:04:50
No! Why are you hitting that
before the song?
1:04:53
This is my, on so many levels,
was sort of my little reward.
1:04:57
One, two, three, four.