:25:02
- They are good for the imagination.
- You think about this act?
:25:06
- You already have an act.
- Not at the Cirque d'Hiver.
:25:10
What about your partners?
Don't you mind losing them?
:25:14
Let them show me the agreement,
monsieur.
:25:17
No. Mike Ribble always has a two act.
A two act is what he wants. Nothing else.
:25:21
And you, monsieur. Do you care
what the act is so long as they look?
:25:25
That act might be great.
But the great ones are not easy to keep.
:25:30
- How was my head?
- Keep your head up.
:25:32
- They are always moving on.
- With you in it, I could keep this act, eh?
:25:37
If I were a part of it,
I would be very loyal to you, monsieur.
:25:41
If you can become part of it, I would
appreciate your loyalty, mademoiselle.
:25:46
- Was I slow on the break?
- You broke too late.
:25:54
- What did he say to the costume?
- New ones for all of us?
:25:57
He never looked at it.
He's dropping our act. We are fired.
:26:01
- Fired?
- It can't be.
:26:02
- The bill is full. We are out.
- Where is Bouglione? He can't do this.
:26:06
- I talked to him. It's a waste of breath.
- Then what do we do?
:26:10
I was thinking, if we act quick
we might get a booking in Marseille.
:26:14
- It's her fault. Wanting more in the act.
- Lola's right. Marseille is our best bet.
:26:18
I wanted to go there in the first place.
:26:21
Maybe it would be better if you
went ahead, then I could join you.
:26:25
In case we don't get a booking,
it would save money.
:26:28
We have no time to waste here.
Let's get the rigging together.
:26:32
Ciao.
:26:38
How are the hands?
:26:40
Hot.
:26:42
Throw me a triple and we'll call it quits.
:26:46
- You mean it?
- There's always gotta be a first time.
:26:51
OK, you're the boss.
:26:53
Heads up down there.
Clear the ring for a minute. Heads up.