:48:06
I'll run down to the cabstand.
You wait until I come and get you.
:48:11
He's not bad.
:48:13
- Yes.
- I can't hear him.
:48:16
Can't hear him? Here.
:48:20
Oh, the good life
:48:23
Taxi. Charles!
:48:27
- The Olympia Music Hall.
- I'm sorry, lady, I'm off duty.
:48:29
Please, you've got to help us.
:48:31
- You are driving a Simca?
- Last time I looked, yeah.
:48:34
What a break.
:48:38
- The Olympia.
- I've already been told.
:48:46
The good life
:48:47
Full of fun, seems to be the ideal
:48:53
Yes, the good life
:48:54
Lets you hide all the sadness
:48:56
you feel
:49:00
Please remember I still love you
:49:03
And in case you didn't know
:49:07
Well, just wake up
:49:08
Kiss the good life hello
:49:15
- Are you Longchamp 45-85?
- Yes.
:49:17
- Here, I'll take care of it.
- Thank you.
:49:19
I work in the public relations
department at Simca.
:49:22
Here, thank you, keep the change.
:49:25
- It sure is a pleasure.
- How do you do?
:49:27
- Is this your little boy?
- Sure is.
:49:28
- Good evening, young man.
- Hello.
:49:30
- Good evening, madam.
- How do you do?
:49:32
Did they explain everything on the phone?
:49:34
Pretty much.
:49:35
Well, I'll go over it once more.
:49:37
I've got two tickets for you.
:49:38
An usher will seat you.
:49:39
We go in right away?
:49:40
Yes. You're in the front row.
:49:42
When the performance ends,
the child and I will come out on stage...
:49:46
and I will ask him a couple of questions.
:49:48
I'll introduce you, and you'll be asked
to go up on stage.
:49:51
- You do have a car, don't you?
- Yes.
:49:53
- I see, but not a Simca?
- No.
:49:55
No? That's too bad, but it doesn't matter.
:49:57
So what happens?
:49:59
I'll ask you to come up on stage...