:49:00
Please remember I still love you
:49:03
And in case you didn't know
:49:07
Well, just wake up
:49:08
Kiss the good life hello
:49:15
- Are you Longchamp 45-85?
- Yes.
:49:17
- Here, I'll take care of it.
- Thank you.
:49:19
I work in the public relations
department at Simca.
:49:22
Here, thank you, keep the change.
:49:25
- It sure is a pleasure.
- How do you do?
:49:27
- Is this your little boy?
- Sure is.
:49:28
- Good evening, young man.
- Hello.
:49:30
- Good evening, madam.
- How do you do?
:49:32
Did they explain everything on the phone?
:49:34
Pretty much.
:49:35
Well, I'll go over it once more.
:49:37
I've got two tickets for you.
:49:38
An usher will seat you.
:49:39
We go in right away?
:49:40
Yes. You're in the front row.
:49:42
When the performance ends,
the child and I will come out on stage...
:49:46
and I will ask him a couple of questions.
:49:48
I'll introduce you, and you'll be asked
to go up on stage.
:49:51
- You do have a car, don't you?
- Yes.
:49:53
- I see, but not a Simca?
- No.
:49:55
No? That's too bad, but it doesn't matter.
:49:57
So what happens?
:49:59
I'll ask you to come up on stage...
:50:01
and I'll ask you a few simple questions.
:50:02
We might make it humorous,
just for publicity.
:50:05
- "Thank you, Simca."
- Right.
:50:07
- You don't mind, do you?
- Of course not.
:50:08
- By the way, what's his name?
- Daniel.
:50:11
- You gave him the bill, didn't you?
- No.
:50:15
Here, Daniel.
:50:17
There you are. Keep that in your pocket.
:50:18
When I ask you for it,
you take it out, but not before.
:50:22
You do just what the man tells you.
:50:24
- Will we see you after the show?
- Oh, yes, on stage.
:50:26
Hope you enjoy it.
:50:28
It's been a pleasure to meet you both.
:50:30
Be a good boy, Daniel.
Do what the man says.
:50:49
When you write your first song by yourself,
you're never sure how good it is.
:50:53
You're always anxious to find out...
:50:55
and the best way to find out is
to sing it to a discriminating audience.