:10:13
I have nothing to say.
:10:17
Don´t you think
that this whole process...
:10:20
is about getting to
your feelings of ambivalence?
:10:22
What I say isn´t important.
It´s what you say.
:10:26
I´m sure that´s what you think,
but I have nothing to say...
:10:31
and I think we´re out of time.
:10:44
All right...
:10:46
I might have something to say.
:10:49
Maybe you can say it next week.
:10:52
Maybe.
:10:55
Thanks, Lucy.
:10:57
- You´re welcome.
- You´ve been a big help.
:10:59
Picasso?
:11:05
People with heads like balloons and
eyes in the middle of their faces?
:11:09
Sweet.
Very nice.
:11:11
A tough one for our expert over there.
Gauguin. Emily.
:11:15
That gross guy who sent his ear
to his brother and then killed himself.
:11:19
No, that was Van Gogh,
Gauguin´s friend.
:11:22
Pair up, you little munchkins,
and start painting.
:11:25
Come with me.
:11:27
I called again.
I can´t believe I called again...
:11:31
making my lover my authoritarian
parental scapegoat thus digressing...
:11:35
in my analysis.
:11:37
This clear, sort of
Edwardian mystical martyrdom that I...
:11:47
Did you just yawn?
:11:49
Am I boring you?
:11:51
I´m so sorry my problems bore you, Lucy.
:11:55
Yes, you do bore me, Ted.
This story bores me.
:11:59
Every week for an hour
it´s the same thing: