1:56:06
Even life itself
1:56:07
only represents you.
1:56:12
Sometimes I dream
1:56:13
that I'm in your arms.
1:56:15
What was that part?
She sang that before.
1:56:17
That's the chorus.
1:56:18
The chorus.
1:56:20
And you speak softly
in my ear...
1:56:24
and you say things
1:56:26
that make my eyes close.
1:56:31
And I find that
marvelous.
1:56:33
Uh, again...
1:56:35
Upham, uh...
1:56:36
to be honest with you,
l-- I find myself
1:56:38
curiously
aroused by you.
1:56:40
[Laughter]
1:56:41
Marvelous.
1:56:43
No, it's-- You know, it's
a really melancholy song.
1:56:45
At the beginning
of the song, she says,
1:56:47
"And then one day,
you left.
1:56:49
You left me, and, uh...
1:56:51
I've been desperate
ever since.
1:56:53
I see you all over the sky.
I see you all over the Earth."
1:56:56
Horvath: Jesus, Upham,
any more songs like this,
1:56:57
the krauts aren't going
to have to shoot me.
1:56:59
I'm just going to slit
my own wrists.
1:57:02
Reiben: You know, you're
a strange bird, Upham.
1:57:04
ohh. I'm sorry.
1:57:05
It's Edith, you know.
1:57:06
You know what that song
reminds me of?
1:57:08
It reminds me of
Mrs. Rachel Troubowitz
1:57:10
and what she said to me
1:57:11
the day I left
for basic.
1:57:12
What, "Don't touch me"?
1:57:14
[Laughter]
1:57:15
No.
Mrs. Rachel Troubowitz
1:57:16
is our super's wife.
1:57:18
She comes
into my mom's shop
1:57:19
to try on a few things,
all right?
1:57:20
And she's easily, like,
a 44 double "E."
1:57:24
Double "E"?
1:57:25
These things
are massive, right?
1:57:26
Those are big.
1:57:27
No.
And I've got her convinced
1:57:28
that she's, like,
a 42 "D," all right?
1:57:30
So we're
in the dressing room.
1:57:32
She's trying to squeeze
into this side-cut,
1:57:34
silk-ribboned,
triple-panel girdle
1:57:36
with the shelf-lift
brassiere.
1:57:37
And it's beautiful,
1:57:39
because she's just pouring
out of this thing, you know?
1:57:40
Is it really tight?
1:57:41
No, no. It's beautiful.
1:57:42
And she sees me,
and she can tell
1:57:44
I got a hard-on the size
of the Statue of Liberty.
1:57:46
And she says to me,
"Richard, calm down."
1:57:48
And she says,
1:57:50
"When you're over there,
1:57:51
if you see anything
that upsets you,
1:57:53
or if you're ever scared,
1:57:54
I want you to close
your eyes
1:57:56
and think of these.
1:57:57
You understand?"