:48:00
your only visitor is
:48:02
your friend.
:48:04
-You don't think that my friend...?
-No, I don't think anything,
:48:08
but it's odd.
:48:10
Two young men,
single and in Paris,
:48:13
without women.
:48:15
It's a bit surprising, isn't it?
:48:17
No, it's not.
Between Armando and me
:48:19
there's none
of what you're talking about.
:48:22
We're just friends.
:48:24
But friends like in the old days?
:48:27
Yes, like in the old days.
:48:33
Oui?
:48:34
-It's me.
-Entre.
:48:37
-We're going now, love.
-What's the movie?
:48:40
One with Marilyn Monroe.
:48:41
Don't expect us for supper,
we're staying for the discussion.
:48:45
What is there to discuss
about a Marilyn Monroe movie?
:48:48
Comedy as escapism
in Hollywood cinema.
:48:52
Au revoir, Ninette.
:48:54
Au revoir, maman.
:48:59
And now,
:49:01
carry on telling me
what Murcia is like,
:49:04
but in detail.
:49:07
I'll tell you again
all you want to know about Murcia
:49:12
but first
:49:13
tell me something about Paris.
:49:15
What's Montmartre like,
the Eiffel Tower?
:49:18
Look, Andres,
:49:20
I don't care about Paris.
:49:22
I came here to work and to live
:49:25
because of circumstances
that you know.
:49:27
Paris...
What do I care about Paris?
:49:31
As for the Eiffel Tower,
:49:33
every time I pass it
:49:36
I cover my eyes.
:49:37
-You don't say.
-Yes, indeed.
:49:39
If they're proud of their tower,
I'm proud of my pipes.
:49:43
Do they come to hear me play? No!
:49:45
So I refuse to look at their tower.
:49:47
What do you think?
:49:49
Whatever you say, Mr. Pierre.
:49:55
-Come on, we're going.
-Yes.
:49:56
-Where's Ninette?
-In her room, reading.
:49:59
She's always reading.