:49:01
carry on telling me
what Murcia is like,
:49:04
but in detail.
:49:07
I'll tell you again
all you want to know about Murcia
:49:12
but first
:49:13
tell me something about Paris.
:49:15
What's Montmartre like,
the Eiffel Tower?
:49:18
Look, Andres,
:49:20
I don't care about Paris.
:49:22
I came here to work and to live
:49:25
because of circumstances
that you know.
:49:27
Paris...
What do I care about Paris?
:49:31
As for the Eiffel Tower,
:49:33
every time I pass it
:49:36
I cover my eyes.
:49:37
-You don't say.
-Yes, indeed.
:49:39
If they're proud of their tower,
I'm proud of my pipes.
:49:43
Do they come to hear me play? No!
:49:45
So I refuse to look at their tower.
:49:47
What do you think?
:49:49
Whatever you say, Mr. Pierre.
:49:55
-Come on, we're going.
-Yes.
:49:56
-Where's Ninette?
-In her room, reading.
:49:59
She's always reading.
:50:00
That girl used to be much livelier.
:50:03
She played jokes on us, didn't she?
:50:05
Yes, but it's her nature.
She's always been like this.
:50:08
You have to remember she's French
and we're not.
:50:11
Yes, it's a misfortune.
:50:14
I'm from Cangas de Onis
and it turns out that my daughter
:50:17
is a foreigner.
:50:19
Daughters bring nothing
but misfortune.
:50:21
But they must give you
some satisfaction too.
:50:24
No, they give the satisfaction
to someone else.
:50:27
Who can understand a French woman?
:50:30
A French man, bien sur.
:50:32
But then, who can understand
a French man?
:50:35
We should just stop
worrying about it...