:30:03
She's not staying out.
:30:05
She's at Jean and John's.
:30:08
Yes, but something about them
that makes me wonder...
:30:10
...whether they would provide
the right kind of supervision.
:30:16
Hum, you're so charmingly Old World...
:30:20
...but then, that's what I adore about you.
:30:24
I have a proposal.
:30:26
What say you I teach you
some of the new steps?
:30:30
No, Charlotte.
I don't even know the old ones.
:30:33
And you do this so very well
I'd much rather sit down and watch you.
:30:38
You're very good.
:30:40
Come on, Humbert.
:30:43
Humbert Humbert,
what a thrillingly different name.
:30:46
Do you pronounce the surname differently,
you know, in a slightly lower tone?
:30:52
Let me see now, Humbert.
:30:55
What was that, the first or the second?
:30:57
Seriously, I'm an awkward tripper
and I have no sense of rhythm.
:31:02
I refuse to believe that about you.
:31:07
Rhythm is so basic...
:31:09
...and it just pours out of you,
you simply vibrate rhythm.
:31:17
-I'll clap my hands and you go on dancing.
-Now, come on, Humbert...
:31:21
...and that was not your surname.
:31:23
Now, put your hands here...
:31:26
...tighter.
:31:31
All right, ready, go.
:31:33
One, two, cha-cha-cha.
:31:35
One, two, cha-cha-cha.
:31:39
Very good.
:31:41
A little more joie de vivre.
:31:45
You know, when you smile like that
you remind me of someone....
:31:52
A college boy I had a date with.
:31:54
I went dancing with him,
a young blue-blooded Bostonian.
:31:58
My very first glamour date.